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Chenrezig-823
Date Added : 2008-04-19 07:40:36      (3104)Views

Sahasrabhuja Avalokitesvara Statue, Chocolate Oxidized, Old Post, Remakable

Code HME823
Size
Height
35cm (14")
Width
25cm (10")
Depth
18cm (7")
Weight 2.5 kg - 5.51 lbs
Material Copper
Availability Subject to Avilability

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Quantity PCS US$ 360.00
Shipping Cost
  • Shipping Calculation

    weight of 1 Pcs of the product is 4.5 kg and will cost USD $ 62.87
    - [Package will go by volume weight]

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  • Item location: kathmandu, Nepal
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  • Return
  • 7 days money back, buyer pays return shipping



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his is one of the many forms of Avalokiteshvara comprising 108 as depicted in the Kanak Caitya Mahavihara of Kathmandu.

He manifests in many forms in order to help sentient beings. His 1,000 -armed form is described as follows: His body is white. He has 1,000 arms and one thousand eyes. However his original two hands and two eyes are not included. Out of 1,000 arms of Avalokiteshvara, 38 arms of this lokeshvara are depicted with various symbols or emblems which are given below:

1. Jewel skt.Ratna................... 1. Svetamegha Pasa
2. Noose skt. painda patra.... 2. Kamandalu
3. Alms bowl.............................. 3. indapatra
4. Padma................................... 4. Sword
5.Khadga................................... 5. Vajrai
6. Sankha................................ 6. Suryakantmani
7. Kapala................................. 7. Candrakantmani
8. Akshamala.......................... 8. Dhanu
9. Ghanta................................. 9. A root shoot of willow
10 .Vajra.................................. 10. Camara
11. Amkush............................ 11. Kavaca
12. Danda............................... 12. Kalasa
13. Nirmita Buddha............... 13. Parasu
14. Devalaya.......................... 14. Akshamala
15. Pustakapothi................... 15 Utpala
16. Cakra.............................. 16. Kamandalu
17. Buddha pratima............... 17. Surya
18. Phala................................ 18. Pundarika
19. Padmakeshara............... 19. Dhanyamanjary

Sometimes he is depicted with emblems with eight arms only carrying rosary, disc, varada mudra and jewel with his right hands and lotus, bow, vase and clapping Ratna with his left hands. He wears antilope skin on his shoulders symbolizing compassionate nature. He wears all the bodhisattva ornaments like earrings, and so on. He has eleven heads. the eleventh one being his spritual sire Buddha Amitabha. It is said that Bodhisattva Avalokiteshvara made the commitment in front of Buddha Amitabha to intentionally manifest into the three realms of samsara in order to liberate all sentient beings from samsara and to be their supreme guide. He also vowed that if by chance his compassion and courageous mind of mercy for sentient beings were to decrease, then let his head and body just completely crack and fall into one thousand pieces. Receiving blessings from Buddha Amitabha, Avalokiteshvara went through universal manifestations into the three realms of samsara. thereby he went to Hell and emancipated them from both the hot and cold hells by teaching

Om mani pad me hung.

He in turn went to ghost realm, human, Asura and Deva realms to free the sentient beings from their respective suffering. He absolutely emptied the ocean of suffering. Following which he went back to Buddha Amitabha and declared that the liberation had been effected. Buddha Amitabha said to him, "you should look again, look back again and again into the world." And as he did, there he saw once again that sentient beings were in samsara and in sorrow, he became so disappointed when he saw the sight. then his enlightened thought (Bodhicitta) decreasedin the moment and he lost his courage. He became disappointed in the very presence of Buddha Amitabha.
He felt how could the time come to liberate all sentient beings for ever from this type of condition. And instantly when his mind felt with sorrow, his body and head just cracked and fell apart into one thousand pieces, and then he fainted. Avalokiteshvara thus fainted, and Buddha Amitabha said to him, "My son where has your courage, your mental strength gone?" He picked up all the pieces of his body and the head. At the same time he said, "this happened because of your prayer. You deserve the praise of all Buddhas since your prayer was efficacious. However, noble son! Don't worry." thereby he blessed his broken heads into eleven faces and he sat upon those heads and his broken body into one thousand hands like one thousand petals of the lotus. thereafter he said, "I bow to you because your thousand hands are the hands of the thousand universal emperors and those eyes in each of the palms of the hands are the eyes of one thousand Buddhas who will appear in this fortunate aeon. After that Avalokiteshvara appeared in many different forms in order to tame the suffering sentient beings and he successfully accomplished many events. the image of 1,000 armed Avalokiteshvara in stone is rare in Kathmandu valley. the bronze images can be seen here and there. Basically a system of fasting ceremony called Nyune from Tibet came to Kathmandu too, through Tibetan Buddhists Masters. In this fasting ceremony the practice; or sadhana is usually devoted to this form of Avalokiteshvara. thousand armed Avalokiteshvara form of image can be found in China too. A giant image of 1,000 armed Avalokiteshvara is installed in the Maitreya temple in Tainan. It was carved out of wood and has aesthetical value.
Chenrezig
Of all the deities in Mahayana Buddhism, the bodhisattva Avalokiteshvara, Chenrezig, is one of the most celebrated. He is the lord gifted with complete enlightenment, who refrains from entering the blissful state of nirvana to remain here below and save the living being of the earth. This devotion to the salvation of others emphasizes profound compassion.
Compassion for others had always been regarded as a virtue in early Buddhism, but it had a somewhat subordinate place to wisdom. In Mahayana Buddhism, compassion received an equal emphasis with wisdom, perhaps because the Mahayana was more consciously universal and covered a wider sector of society. In this view of the world, all men and women, not just those leading a monastic life, could achieve nirvana. Read More
Iconography
Avalokiteshvara, Chenrezig, is visualized in many forms, with various numbers of faces and arms, and various colors and ornaments. He sits on a lotus and the flat disc of the moon, with another moon disk behind him, reflecting his total purity. Two of his four arms are joined in the prayer position holding the wish fulfilling gem. In his other left hand he holds a lotus flower and in his other right hand, a crystal mala (rosary), which he is using to count the repetitions of his mantra, "Om Mani Padme Hum", Hail to the Jewel in the Lotus, which liberates all beings from suffering. He wears the silks and ornaments of a Bodhisattva, representing all his special qualities, and the soft skin of an antelope over his shoulder, symbolizing his complete freedom from violence. He smiles with deep understanding, love and compassion as his eyes look upon all beings.

The four arms and hands signify the four immeasurable:
Immeasurable loving kindness
Immeasurable compassion
Immeasurable joy
Immeasurable equanimity.

Chenrezig, the Bodhisattva of Boundless Compassion, is the very embodiment and realization of the four immeasurable. The four immeasurable are the vehicles through which Chenrezig benefits beings.
The first two, the inner arms, have palms joined at the heart, holding a sky-blue, and wish fulfilling jewel. This symbolizes that in whatever way Chenrezig manifests to benefit beings, the quality of Chenrezig's mind is never separate from the all-pervasive primal wisdom.

In the outer right hand, Chenrezig is holding crystal beads and moving them the way we use a mala to count mantras. This symbolizes that there is not one moment when Chenrezig does not benefit beings. Like the steady movement of counting the beads, Chenrezig is continuously benefiting sentient beings and turning the wheel of enlightened activity.

In the outer left hand, Chenrezig holds a lotus flower. This symbolizes that in benefiting sentient beings, Chenrezig manifests in whatever forms are necessary in accordance with the mental capacities, circumstances, and aptitudes of sentient beings. Chenrezig may appear in any of the different realms, such as the hell realm or the hungry ghost realm. However Chenrezig may appear, he remains free from any of the worldly stains of the various realms of life, the way a lotus flower growing in a swamp appears free of the stain of the mud. The left hand of Chenrezig, holding the flower, symbolizes that stainlessness.

All the various features of this image have meaningful connections to the wonderful qualities of Chenrezig, and by focusing on these details as we visualize the image in the meditation, we can gradually awaken our own awareness of those same qualities in ourselves.
Practicing of Avalokiteshavara
The image of Chenrezig that is visualized in the meditation practice is not a real person who happens to be perfect in every imaginable way. It is an image, an imaginary form with wonderful qualities. Chenrezig glows in the dark, Chenrezig even glows in the daylight.
Kalu Rinpoche said, "One does not think of the deity's body as solid or material, made of flesh and blood like one's ordinary body, or made of metal or stone like an idol. One thinks of it as appearance that is inseparable from emptiness, like a rainbow or like a reflection in a mirror."

The particular wonderful qualities that Chenrezig manifests for us are just the ones we need to get more in touch with, as aspects of our own nature, if we want to become an enlightened Buddha, or even if we just want to become a truly compassionate person. We and the image of Chenrezig are two extremes we have flesh and blood bodies, but not as much compassion as we would like to have, and Chenrezig has a body made of rainbows, and boundless impartial compassion. When we put those two extremes together, in the Chenrezig meditation, we move in the direction of manifesting as a being with a physical body, a body of rainbow light and unlimited compassion.

Various aspects of the form we visualize remind us of the most important qualities of this particular manifestation of awakened mind, the qualities we are trying to connect to.
In visualization practice we imagine ourselves to be a Buddha, in this case the Buddha of Compassion, Avalokiteshvara. By replacing the thought of yourself as you, with the thought of yourself as Avalokiteshvara, you gradually reduce and eventually remove the fixation on your personal self, which expands your loving kindness and compassion, toward yourself and toward others, and your intelligence and wisdom becomes enhanced, allowing you to see clearly what someone really needs and to communicate with them clearly and accurately.

Avalokiteshvara, Chenrezig is the embodiment of that unselfish urge to look upon each other as loving equals. If you are in need of guidance in healing, unity, unselfishness, or the mastering of fears, you may meditate on the qualities of Avalokiteshvara, Chenrezig {as above}, say the mantra" Om Mani Padme Hum".
In most religious traditions one prays to the deities of the tradition in the hopes of receiving their blessing, which will benefit one in some way. In the Vajrayana Buddhist tradition the blessing and the power and the superlative qualities of the enlightened beings are not considered as coming from an outside source, but are believed to be inborn, to be aspects of our own true nature. Avalokiteshvara, Chenrezig, and his love and compassion are within us.

His Holiness The Dalai Lama said, "Thus the six syllables, "Om Mani Padme Hum", mean that in dependence on the practice which is in indivisible union of method and wisdom, you can transform your impure body, speech and mind into the pure body, speech, and mind of a Buddha."
Origin of Avalokiteshvara : Mahāyāna account
According to Mahāyāna doctrine, Avalokiteśvara is the bodhisattva who has made a great vow to assist sentient beings in times of difficulty, and to postpone his own Buddhahood until he has assisted every being on Earth in achieving Nirvāṇa. Mahāyāna sūtras associated with Avalokiteśvara include the following:

Saddharma Puṇḍarīka Sūtra (Lotus Sūtra)
Kāraṇḍavyūha Sūtra
Prajanaparmita Hṛdaya Sūtra (Heart Sūtra)
Mahākaruṇā Dhāranī Sūtra (Nīlakaṇṭha Dhāraṇī)
Avalokitesvara Ekādaśamukha Dhāraṇī Sūtra
Cundī Dhāraṇī Sūtra


The Lotus Sūtra is generally accepted to be the earliest literature teaching about the doctrines of Avalokiteśvara. The Universal Gateway of Avalokitasvara Bodhisattva This chapter is devoted to Avalokitasvara, describing him as a compassionate bodhisattva who hears the cries of sentient beings, and who works tirelessly to help those who call upon his name. A total of 33 different manifestations of Avalokitasvara are described, including female manifestations, all to suit the minds of various beings. The chapter consists of both a prose and a verse section. This earliest source often circulates separately as its own sūtra, called the Avalokitasvara Sūtra and is commonly recited or chanted at Buddhist temples in East Asia.
Origin of Avalokiteshvara : Tibetan account
In the Tibetan tradition, Avalokiteśvara is seen as arising from two sources. One is the relative source, where in a previous eon (kalpa) a devoted, compassionate Buddhist monk became a bodhisattva, transformed in the present kalpa into Avalokiteśvara. That is not in conflict, however, with the ultimate source, which is Avalokiteśvara as the universal manifestation of compassion. The bodhisattva is viewed as the anthropomorphised vehicle for the actual deity, serving to bring about a better understanding of Avalokiteśvara to humankind.
Seven forms of Avalokiteśvara in Tibetan Buddhism:

Amoghapāśa: not empty (or unerring) net, or lasso.
Vara-sahasrabhuja-locana / Sahasrabhujasahasranetra: 1000-hand and 1000-eye,
Hayagriva: with the head of a horse
Ekadasamukha: with 11 faces
Cund
Cintamani-cakra: wheel of sovereign power
Arya Lokiteśvara: the Holy sovereign beholder of the world (loka), a translation of īśvara, means "ruler" or "sovereign", holy one.


Modern scholarship
Western scholars have not reached a consensus on the origin of the reverence for Avalokiteśvara. Some have suggested that Avalokiteśvara, along with many other supernatural beings in Buddhism, was a borrowing or absorption by Mahayana Buddhism of one or more Hindu deities, in particular Shiva or Vishnu (though the reason for this suggestion is because the current name of the bodhisattva not the original one.)

The Japanese scholar Shu Hikosaka on the basis of his study of Buddhist scriptures, ancient Tamil literary sources, as well as field survey, proposes the hypothesis that, the ancient mount Potalaka, the residence of Avalokiteśvara described in the Gandavyuha Sutra and Xuanzang's Records, is the real mountain Potikai or Potiyil situated at Ambasamudram in Tirunelveli district, Tamil Nadu. Shu also says that mount Potiyil/Potalaka has been a sacred place for the people of South India from time immemorial. With the spread of Buddhism in the region beginning at the time of the great king Aśoka in the third century B.C.E., it became a holy place also for Buddhists who gradually became dominant as a number of their hermits settled there. The local people, though, mainly remained followers of the Hindu religion. The mixed Hindu-Buddhist cult culminated in the formation of the figure of Avalokiteśvara

In Theravada, Lokeśvara, "the lord, ruler or sovereign beholder of the world", name of a Buddha; probably a development of the idea of Brahmā, Vishnu or Śiva as lokanātha, "lord of worlds". In Indo-China especially it refers to Avalokiteśvara, whose image or face, in masculine form, is frequently seen, e.g., at Angkor. The name Lokeśvara should not be confused with that of Lokesvararaja, the Buddha under whom Dharmakara became a monk and made forty-eight vows before becoming Amitabha Buddha.


OLD POST
Please note that this Chenrezig is an old post. We typically do not remove our posts from the website for various reasons, such as nostalgia and maintaining page ratings. These posts are not intended for direct sales, but occasionally, we can remake the items.
Remakable
Please note that the Chenrezig we posted some time ago is not currently available in our store. However, due to the possibility of a remake, it is still on sale. The remake will not be an exact replica of the original statue shown in the picture and will require additional time to be ready for dispatch. If you are willing to wait for this custom remake, you may proceed with your order. Thank you for your understanding and patience.
About Chocolate Oxidized
This Chenrezig has been meticulously treated with a chocolate color antique patina. The intention behind this patina is to replicate the appearance of a copper statue that has gracefully aged over a century. Unlike a simple coat of paint, this patina is not applied superficially and is designed to endure. It undergoes an artificial oxidation process that adds depth and character, while also serving as a protective layer against natural oxidation.
By imitating the natural aging process, the chocolate color antique patina lends an air of authenticity and vintage charm to the Chenrezig. This carefully crafted finish ensures that the patina remains intact for an extended period, offering longevity and resistance to wear. The result is a unique piece that captures the essence of a time-worn copper statue, evoking a sense of history and artistic heritage.
Lost-Wax System
This Chenrezig is made by the process of the Lost-Wax system. The lost-wax process, also known as investment casting, is a time-honored technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture. Read More
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