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Gampopa-677
Date Added : 2008-04-16 04:55:28      (1806)Views

Chinese Changreshi Statue, Chocolate Oxidized, Sold

Code HME677
Size
Height
26cm (10")
Width
18cm (7")
Depth
13cm (5")
Weight 2.4 kg - 5.29 lbs
Material Copper
Availability Sold

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$47 Filling and Blessing
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$41 Filling Only
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$14 Blessing Only
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Statue Finishing
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$51 Partly Gold Plated
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$61 Partly Gold Plated with extra gold
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$98 HQ, Partly Gold Plated
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$51 Electro gold Plated
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$65 Electro Gold with painted Face
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$65 Electro Gold with Antique finish
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$75 Electro Gold Plated with Painted face an
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$168 HQ, Full Fire Gold with face paint
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$173 HQ, Full Fire Gold With Matt Finishing
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$182 HQ, Full Fire Gold with Antique Finihsin
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$201 HQ Full Gold with Gold Painted Skin
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$168 Good Quality Color and gold Good Quality
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$122 Color Gold and Sivler
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$168 HQ, Color and Stond Setting
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$239 HQ Gold Empahised Color support
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$379 HQ, Cremamic wasable Color, with Gold
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$19 Chocolate Oxidized
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$19 Dark Chocolate oxidized
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$28 Chocolate oxidized with Silver plating
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$23 Double Color Oxidation
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$61 Silver Plated, Gold ornament, with Doub
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$42 Stone Setting
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Quantity PCS US$ 200.00
Shipping Cost
  • Shipping Calculation

    weight of 1 Pcs of the product is 2.5 kg and will cost USD $ 46.02

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  • Item location: kathmandu, Nepal
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  • We normally dispatch the product in 2-5 business days. Else Buyer will be infromed personally about the dispatch Date.

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  • Return
  • 7 days money back, buyer pays return shipping



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Gampopa
Gampopa "the man from Gampo" (Tibetan: སྒམ་པོ་པ་) Sönam Rinchen (Tibetan: བསོད་ནམས་རིན་ཆེན་, Wylie: bsod nams rin chen, 1079-1153) was a Tibetan Buddhist teacher in the Kagyu lineage, as well as a doctor and tantric master who founded the Dhagpo Kagyu school. He is also known as Dvag Popa, and the titles Dakpo Lharjé "the physician from Dakpo" (Tibetan: དྭགས་པོ་ལྷ་རྗེ་, Wylie: dwags po lha rje) and Daö Zhönnu, "Chandraprabha Kumar" (Tibetan: ཟླ་འོད་ཞོན་ནུ་, Wylie: zla 'od gzhon nu). Read More
Biography
Gampopa was born in the Nyal (or Nyel) district, Central Tibet and from an early age was a student of medicine in the Indian, Chinese and Tibetan medical traditions. Later in his life he moved to the region of Dakpo (dwags po) in southern Tibet and hence was also called Dakpopa (dwags po pa), the man from Dakpo. The region is also near Gampo Hills, hence his other name, Gampopa. In his youth Gampopa studied under the Nyingma lama Barey as well as under the Kadampa teacher Geshe Yontan Drag. He married a daughter of a man named Chim Jose Darma Wo (mchims jo sras dar ma 'od) and had a child, but they both died, causing him to renounce the householder's life. In 1104, at the age of twenty-five he took ordination, either in Dakpo or in Penyul, at Gyachak Ri monastery ('phan yul rgya lcags ri), receiving the name Sönam Rinchen (bsod nams rin chen)." After becoming a monk in the Kadampa lineage under Geshe Loden Sherab and focused on studying the Kadampa teachings. In his 30s he sought out and became the foremost student of the yogi Milarepa. Milarepa instructed him in the practice of Vajravārahī, tummo (gtum mo) and Mahāmudrā.

Gampopa's position in the transmission lineage of the Mahamudra teaching is as follows:

Tilopa (988-1069), the Indian yogi who experienced the original transmission of the Mahamudra
Naropa (1016-1100), who perfected the methods of accelerated enlightenment described in his Six Yogas of Naropa.
Marpa (1012-1097), the first Tibetan in the lineage, who translated the Vajrayana and Mahamudra texts into Old Tibetan
Milarepa (1052-1135), poet and master who overcame Marpa's reluctance to teach but nonetheless attained enlightenment in a single lifetime
Gampopa, Milarepa's most important student, who integrated Atiśa's Kadam teachings and Tilopa's Mahamudra teaching to establish the Kagyü lineage
This lineage sequence, taken together, is called the "Five Founding Masters" by the Kagyu school.

After his studies with Milarepa, Gampopa founded Dakhla Gampo Monastery (Dwags lha sgam po) in 1121 CE. He had many great students who were accomplished tantric practitioners, both monks and laymen. Gampopa's teaching joined the Lamrim teachings of the Kadampa school with the Mahamudra and tantric teachings of the Kagyu school. According to Tony Duff, he taught Mahamudra in two approaches, "one is a gradual approach called the Four Yogas of Mahamudra, the other is a sudden approach called Essence Mahamudra.
Teachings
Gampopa most famous teaching is known as "The Four Dharmas of Gampopa", this is outlined in a key text of Gampopa called The Four Dharmas in Brief:

"It is necessary for: dharma to turn to dharma; dharma to turn into the path; the path to dispel confusion; and confusion to turn into wisdom"

The Four Dharmas in Brief further states about each of the four Dharmas:

(1) Dharma to turn to dharma means to meditate on impermanence, the fact that all things will be left behind at death and that only Dharma is of use, all must be renounced except Dharma.

(2) Dharma turns into the path is explained as:

if there is the rational mind of loving kindness and compassion that cherishes other more than oneself-the fictional enlightenment mind-and then on top of that the understanding that all phenomena, outer and inner, appearing as the coming together of interdependency are illusory, then the primal dharma turns into the path.

(3) The Path is to be used to dispel confusion means that "confusion has to be dispelled from top to bottom", Gampopa explains this as follows:

First, meditation on impermanence dispels the confusion of clinging to this life, then meditation on karma and effect dispels the confusion of bad views, then meditation on the disadvantages of cyclic existence dispels the confusion of attachment to cyclic existence, then meditation on loving kindness and compassion dispels the confusion of the Lesser Vehicle, then meditation on appearances being dream-like, illusory, dispels the confusion of grasping at conceived-of things...

(4) Confusion turns into wisdom:

If, the force of meditation done on all phenomena being free from birth and cessation in suprefact (paramartha satya) causes whatever appears, whatever is known, to be resolved as its own entity, then confusion has dawned as wisdom.
About sold
this item is sold
Sold
These items are marked as sold and are kept here purely for nostalgic value. You might have landed on this post via Google, a wrong item code search, or an incorrect URL, but please note that these items are no longer available for sale.
The prices shown are not updated and are also displayed for nostalgic reasons. We can remake these items, but it will take approximately six months to a year as we need to recreate them from wax.
About Chocolate Oxidized
This Gampopa has been meticulously treated with a chocolate color antique patina. The intention behind this patina is to replicate the appearance of a copper statue that has gracefully aged over a century. Unlike a simple coat of paint, this patina is not applied superficially and is designed to endure. It undergoes an artificial oxidation process that adds depth and character, while also serving as a protective layer against natural oxidation.
By imitating the natural aging process, the chocolate color antique patina lends an air of authenticity and vintage charm to the Gampopa. This carefully crafted finish ensures that the patina remains intact for an extended period, offering longevity and resistance to wear. The result is a unique piece that captures the essence of a time-worn copper statue, evoking a sense of history and artistic heritage.
Lost-Wax System
This Gampopa is made by the process of the Lost-Wax system. The lost-wax process, also known as investment casting, is a time-honored technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture. Read More
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