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Vajrasattva-32531
Date Added : 2024-04-29 05:02:13      (231)Views

Vajrasattva, Buddhist Handmade Statue, Face Painted, Partly Gold Plated and Chocolate Oxidized

Code HME32531
Size
Height
32cm (13")
Width
23cm (9")
Depth
13cm (5")
Weight 3.11 kg - 6.86 lbs
Material Copper
Availability Available

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$66 Filling and Blessing
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$60 Filling Only
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$14 Blessing Only
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Statue Finishing
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$78 Partly Gold Plated
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$93 Partly Gold Plated with extra gold
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$152 HQ, Partly Gold Plated
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$78 Electro gold Plated
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$100 Electro Gold with painted Face
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$100 Electro Gold with Antique finish
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$115 Electro Gold Plated with Painted face an
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$189 Full Gold with face paint
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$174 Full Fire Gold Plated
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$262 HQ, Full Fire Gold with face paint
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$189 Full Fire Gold Anique Finishing
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$269 HQ, Full Fire Gold With Matt Finishing
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$284 HQ, Full Fire Gold with Antique Finihsin
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$314 HQ Full Gold with Gold Painted Skin
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$78 Colors only Basic
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$189 Color and Gold Good
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$262 Good Quality Color and gold Good Quality
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$189 Color Gold and Sivler
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$262 HQ, Color and Stond Setting
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$373 HQ Gold Empahised Color support
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$593 HQ, Cremamic wasable Color, with Gold
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$27 Chocolate Oxidized
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$27 Dark Chocolate oxidized
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$41 Chocolate oxidized with Silver plating
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$34 Double Color Oxidation
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$34 Chocolate Oxidized with Painted Face
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$34 Silver Plated Oxidized
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$41 Extra Silver Plated Oxidized with Painte
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$49 Silver Plated Double Color Oxidized wit
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$93 Silver Plated, Gold ornament, with Doub
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$93 Silver Skin and Gold ornaments Plated D
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$27 Antique With red Powder
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$49 Antique finishing with face paint
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$93 Green antique finishing
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$137 Painted Antique Finishing
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$115 Super Antique
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$12 Glossy Finished
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$27 Copper Plated
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$63 Stone Setting
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$71 Stone Setting & Antique Finishing
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Quantity PCS US$ 500.00
Shipping Cost
  • Shipping Calculation

    weight of 1 Pcs of the product is 3.5 kg and will cost USD $ 54.45

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  • Item location: kathmandu, Nepal
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  • We normally dispatch the product in 2-5 business days. Else Buyer will be infromed personally about the dispatch Date.

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  • Return
  • 7 days money back, buyer pays return shipping



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Vajrasattva
Vajrasattva is also regarded as Adi-Buddha by Nepalese Bajracharya's who follow Vajrayana tradition according to the text Vajrasattva Kaya. His body is white with one face and two hands. His right-hand holds a five-pronged golden vajra at his heart. His left-hand holds a silver bell at his side. He sits in the Vajraparyanka posture wearing precious silks and ornaments with jewel diadem. His body is adorned with the major and minor marks of a Sambhogakaya and emits a clear limitless light. It appears to lack all notion of substantiality, like the reflection of the moon in the water.
Vajrasattva has a father-mother aspect too. Generally, this form is not exhibited in open. It is shown only to those who are initiated in the Highest Yoga Tantra. His form is the same as in the single one but his consort carries a Kartika in her right hand and a kapala in her left hand. Read More
Iconography
Vajrasattva is pure white in colour and is sometimes known as the Prince of Purity. His name means "Adamantine Being", or more poetically "Embodying Reality". He is a member of the Vajra family of Akṣobhya which also includes Vajrapāṇi.
He is depicted as a young man in the prime of life, with all the silks and jewels of a wealthy prince. In his right hand he delicately balances a vajra at his heart. In his left had he holds a bell at his waist. The vajra represents Reality, and Compassion; while the bell represents Wisdom.

Vajrasattva is said to have been originated from seed syllable Hum and is generally invoked for removal of obscuration of Kleshavarana and Jneya Avarana. His hundred syllable mantra is very efficacious in purifying our defilements through confession practice. It is said if confession is done with the four opponent powers, then non-virtuous actions or obscurations will be purified. The first opponent power is the force of reliance. This means looking upon the visualized image of Vajrasattva as the embodiment of one’' refuge. The second opponent power is the sincere regret for the non-virtuous action done by oneself. The third opponent power is desisting from evil deeds. The fourth opponent power is to apply power of good deeds; and specially regarding this case, practicing the meditation and recitation of Vajrasattva without parting from Bodhicitta while remaining in the state of emptiness. Vajrasattva is a very popular tutelary deity for Nepalese Vajracharya. He is worshipped very often by Nepalese Buddhists through Guru Mandala ritual.

In some mandalas Vajrasattva represents the Adi Buddha or the Primordial Principle of Buddhahood; in others he changes places with Akṣobhya in the East. In Shingon Buddhism it is Vajrasattva that passes on the initiation of the Dharmakāya Buddha Mahāvairocana to Nāgārjuna, thereby creating the Vajrayāna lineage.
Vajrasattav Purification
Purification of Body
Your disturbing attitudes and negativities in general and particularly those of the body, take the form of black ink. Sickness takes the form of pus and blood and afflictions caused by spirits appear in the form of scorpions, snakes, frogs and crabs. Flushed out by the light and nectar, they all leave your body through the lower openings, like filthy liquid flowing down a drain pipe. Feel completely empty of these problems and negativities; they no longer exist anywhere.
Purification of Speech
Your disturbing attitudes and imprints of negativities of speech take the form of liquid tar. The light and nectar fill your body as water fills a dirty glass: the negativities, like the dirt, rise to the top and flow out through the upper openings of your body: your eyes, ears, mouth, nose, etc. Feel completely empty of these problems; they no longer exist.
Purification of the Mind
Your disturbing attitudes and the imprints of mental negativities appear as darkness at your heart. When struck by the forceful stream of light and nectar, the darkness completely vanishes. It is like turning a light on in a room: the darkness does not go anywhere, it simply ceases to exist. Feel that you are completely empty of all these problems; they are non-existent.
Simultaneous Purification
Do the three above visualizations simultaneously. This sweeps away the subtle obscurations that prevent you from seeing correctly all that exists. Feel completely free of these obscurations.
The Power of the Promise
After reciting the mantra and doing the visualizations, make the following promise to Vajrasattva, specifying a period of time for which you intend to keep it:
"I shall not create these negative actions from now until ."
Vajrasattva is extremely pleased and says, "My spiritual child of the essence, all your negativities, obscurations and degenerated vows have been completely purified."
With delight, Vajrasattva melts into light and dissolves into you. Your body, speech and mind become inseparably one with Vajrasattva holy body, speech and mind. Concentrate on this.

Dedication
Due to this merit may I soon Attain the enlightened state of Vajrasattva, That I may be able to liberate
All sentient beings from their suffering.
May the precious bodhi mind Not yet born arise and grow. May that born have no decline,But increase forever more.
Mantras in Various Language

Partly Gold plating.
This Vajrasattva has a Partly gold-plated finish. Partly fire gold gilding, a common practice in Nepali handicrafts. This technique is skillfully employed by artisans to create intricate designs on various metal objects, including statues, jewelry, and decorative items. Through a process, a mask or resist is applied to safeguard specific areas from the gold plating. The object is then subjected to high temperatures, allowing the gold to beautifully adhere to exposed surfaces using a combination of heat and pressure.
In the realm of Buddhist statues, this technique holds additional significance as it distinguishes the golden-plated body from the oxidized or maroon-painted clothing. This visual separation conveys the contrast between the divine purity of the body and the modest attire symbolizing the humble lifestyle of Buddhist monks. The partly fire gold gilding not only adds exquisite detail and elegance but also embodies the deep cultural and spiritual meaning associated with these treasured artifacts. Read More
Gold Painted Face
The face of Vajrasattva is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to honor the sacred essence of the Vajrasattva. Read More
About Chocolate Oxidized
This Vajrasattva has been meticulously treated with a chocolate color antique patina. The intention behind this patina is to replicate the appearance of a copper statue that has gracefully aged over a century. Unlike a simple coat of paint, this patina is not applied superficially and is designed to endure. It undergoes an artificial oxidation process that adds depth and character, while also serving as a protective layer against natural oxidation.
By imitating the natural aging process, the chocolate color antique patina lends an air of authenticity and vintage charm to the Vajrasattva. This carefully crafted finish ensures that the patina remains intact for an extended period, offering longevity and resistance to wear. The result is a unique piece that captures the essence of a time-worn copper statue, evoking a sense of history and artistic heritage.
Lost-Wax System
This Vajrasattva is made by the process of the Lost-Wax system. The lost-wax process, also known as investment casting, is a time-honored technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture. Read More
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