Green Tara, Buddhist Statue, Silver and Chocolate Oxidized, 13 by 10 cm, made by Copper, Statue Miniature, Silver Oxidized Statue

Date Added : 2023-12-20 03:45:53 (99)Views

Green Tara, Buddhist Statue, Silver and Chocolate Oxidized
Code	HME31424
Size	Height 13cm (5") Width 10cm (4") Depth 6cm (2")
Weight	494 494 gm - 1.09 lbs
Material	Copper
Availability	Available

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$18 Partly Gold Plated

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$31 HQ, Partly Gold Plated

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$21 Electro Gold with painted Face

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$24 Electro Gold Plated with Painted face an

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$50 HQ, Full Fire Gold with face paint

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$37 Full Fire Gold Anique Finishing

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$51 HQ, Full Fire Gold With Matt Finishing

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$54 HQ, Full Fire Gold with Antique Finihsin

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$50 Good Quality Color and gold Good Quality

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$37 Color Gold and Sivler

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$50 HQ, Color and Stond Setting

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$70 HQ Gold Empahised Color support

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$109 HQ, Cremamic wasable Color, with Gold

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$8 Chocolate Oxidized

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$8 Dark Chocolate oxidized

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$11 Chocolate oxidized with Silver plating

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$10 Double Color Oxidation

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$10 Silver Plated Oxidized

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$12 Silver Plated Double Color Oxidized wit

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$20 Silver Plated, Gold ornament, with Doub

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$20 Silver Skin and Gold ornaments Plated D

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$8 Antique With red Powder

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$20 Green antique finishing

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$28 Painted Antique Finishing

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$6 Glossy Finished

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$8 Copper Plated

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Quantity

PCS

US$ 150.00

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weight of 1 Pcs of the product is 0.5 kg and will cost USD $ 26.94

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Item location: kathmandu, Nepal
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Green Tara
Samaya Tara, popularly known as Green Tara. She is represented in a royal ease posture with her left leg bent her left leg overstepping the main lotus and resting on a blue lotus ready to get up and offer assistance to those in need. She is portrayed with maroon Buddhist robes and jewelry. The earrings represent patience, understanding, and renunciation. The diadem with five jewels represents the transmutation of the five delusions into the Five Buddha Wisdoms. She is shown with a benevolent countenance seated upon a white moon disk which is associated with special restorative nectar associated with the naval chakra center. In Buddhists, the moon symbolizes the wisdom aspect which when coupled with compassion leads to Sakyamuni Buddha's enlightenment. Her right hand is gracefully lowered in Varada mudra, the boon-granting gesture. Read More

Iconography
Green Tara's special lotus is the blue lotus or 'night lotus' which she bears in both hands. The word utpala means to 'burst open'. Her left-hand holds a stem with an open blooming flower and an unopened bud. The bent lower part of the stem represents the root. The open blossom represents the present and also the present Buddha; the bud represents the future and also Buddhas yet to be born. The future here also refers to a safe journey's end and future well-being. Her right-hand wisdom hand is in the gesture of giving refuge. The third finger touches the thumb to create a circle representing the union of wisdom and compassion, and the three extended fingers symbolize the Three Jewels of Buddhism a. The Buddha State b. The Body of Teachings. The Principles of the Universe The same hand holds the stem of a blue lotus representing her willingness to assist. The closed blossom in her right hand represents the past and also the Buddhas of the past. Green Tara is shown in a place of paradise called Khadiravani where she Tara dwells. Khadiravani is described as a great mountain kingdom with many trees, flowers, and animals (not shown). 3 rainbow tails emanate from her outer aureole. The crescent moon and sun symbolize the union of male and female ubiquitous in Tantric art.
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The seventy-two golden lines represent psychic energy channels emanating from her body and her central psychic channel running up her spinal column. Each one signifies a thousand as there are traditionally seventy-two thousand channels. The gold lines alternate between wiggly and straight to represent the two main psychic channels running up the central channel that entwine to create the interlocking 'snaking' caduceus to which the energy channels are connected. The trees in the foreground are the Ashoka Tree. The word Ashoka means 'without sorrow' and is the tree linked to the Vedic God of love and sexual union Kamadeva. Apparently, the tree blossoms when a virtuous lady touches it.

Commentary
The word Tara means the one who saves. The word Tara is derived from the root tri meaning to cross and in context is taken to mean the one who helps people to cross the Ocean of Existence and Suffering. Green Tara is also called 'dark' Tara or more directly Shyama Tara. Green Tara is associated with the Amoghasiddhi who is also green and the north-facing Meditation who is head of the action family. Her willingness to help others is shown by her body posture with one foot ready so that she can rise to offer assistance. Like WhiteTara, she was born of the tears of compassion of the Bodhisattva Avalokiteshvara, resulting from the extreme state of sadness he experienced when observing the continuing ceaseless suffering which he sought to end.

Silver and Chocolate Oxidized
The Green Tara features a captivating combination of partly silver plating and dark oxidation. This unique finishing technique combines the lustrous shine of silver with the rich, deep tones achieved through oxidation. In the process of creating this finish, selected areas of the Green Tara are expertly silver-plated, creating a radiant and reflective surface that catches the light. The remaining areas are intentionally oxidized, resulting in a darkened patina that adds depth and character to the piece. Read More

Ceramic Molding System
The Green Tara has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More

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