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Welcome to Handmade Handicraft
At Handmade Handicraft, we prioritize simplicity, reflected in our user-friendly website design. We have streamlined the process so everything you need is just a click away.
While our website does not support online shopping, we've incorporated a convenient shopping cart system to assist you in sending us your inquiries. Please note, we do not process payments on our site. All transactions will be handled via email, respecting the inquiries you submit.
Should you encounter any issues while submitting your inquiries, please contact us via mobile app, email, or follow the procedure outlined below. We've provided documentation to guide you through the selection process.
Good selecting Procedure
In every product you will find Order Now and Quick Inquiry buttons, they are the two process of sending us your enquiry.
For Business ordering standard quantity
This website has been designed to incorporate retail and wholesale pricing in one place. You can increase or decrease the quantity based on which you will be provided with suitable prices instantly.
For Business ordering Bluk quantity [Above 100 pcs]
This is not a direct shopping website. So no payments are needed for placing an order. Please feel free to send us an order for the product you are interested in, mentioning the approximate quantity. Based on which we will send you a wholesale price quotation.
Selling on ETSY discount
This discount is offered to ensure our prices remain highly competitive across all platforms, including Etsy. We aim to provide the best value for our customers, so we adjust our pricing to stay in line with market trends. By doing so, we continue to uphold our commitment to being the leading provider of high-quality Nepali handicrafts at the best prices.
Discount is scheduled to end on 2024-12-26 Which is 35 Days from now
Chandamaharoshana
Chandamaharoshana, meaning the "Extremely Violent and Wrathful One," is a fierce aspect of the blue Akshobhya Buddha, also known as Achala. The Chandamaharoshana Tantra belongs to the Anuttarayoga or 'Supreme Yoga' Tantra of the 'father-tantra' class, emphasizing skillful means. With origins in early India, this Tantra employs highly esoteric sexual symbolism expressed in the 'twilight language. Its practice remains popular in the Newar Buddhist tradition, while Achala is recognized as one of the Ten Wrathful Ones in Vajrayana Buddhism. In Japan's Shingon Tradition, he is revered as Fudo Myo-o, one of the 'thirteen deities.' This visionary Newar paubha painting, created by Raj Prakash Tuladhar, depicts the powerful form of Chandamaharoshana and his consort, Mamaki, set within a symbolic landscape.
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Iconography
Chandamaharoshana manifests as a blue-black deity with a fierce face, three eyes, and two arms. He is depicted in the kneeling achalasana posture, pressing his left knee and foot upon the forms of the Vedic gods Maheshvara, Vishnu, and Indra. Brahma is crushed under his right foot. These deities symbolize the four maras or 'obstructive demons.' Chandamaharoshana's body is adorned with golden bracelets and filigree bone ornaments. He wears a billowing green silk scarf, a loosened tiger-skin loincloth for sexual intercourse, and a garland of severed heads. His golden crown features five dry white skulls, five radiant jewels, and five silver kikinpa crowned with ornate parasols. A crescent moon and a serpent adorn his tawny upward-streaming hair, while golden victory flags appear above his ears. His red eyebrows and facial hair blaze upward, and his three bloodshot eyes gaze down at his consort.
History
Chandamaharoshana finds its roots in the ancient traditions of Vajrayana Buddhism. The deity holds significant importance in both Tibetan and Newar Buddhist practices. The Chandamaharoshana Tantra, originating from early India, has preserved its esoteric symbolism and continues to be revered in the Newar Buddhist tradition. Throughout history, the worship of Chandamaharoshana has spread to various regions, including Japan, where he is known as Fudo Myo-o in the Shingon Tradition.
Temples and Monasteries
Unfortunately, specific information regarding temples and monasteries dedicated to Chandamaharoshana, particularly in Nepal, is not available within my knowledge base. However, it is likely that dedicated spaces for worship exist, especially in areas influenced by Vajrayana Buddhism. Further research or local sources can provide more accurate and up-to-date information on the locations of temples or monasteries associated with Chandamaharoshana.
Benefits of Practicing Chandamaharoshana
The practice of Chandamaharoshana is believed to offer numerous benefits to its practitioners. These benefits may include spiritual empowerment, protection from obstacles, the cultivation of skillful means, and transforming negative emotions into wisdom. By engaging with the symbolism and teachings associated with Chandamaharoshana, practitioners aim to harness his fierce energy to overcome inner and outer hindrances, ultimately progressing on the path to enlightenment.
How to Practice
The practice of Chandamaharoshana involves engaging with the deity through meditation, visualization, recitation of mantras, and ritual offerings. Practitioners may receive specific instructions and empowerment from qualified teachers within the Vajrayana Buddhist tradition. The detailed methods and practices may vary depending on the lineage or tradition. It is recommended to seek guidance from experienced practitioners or spiritual teachers to ensure a proper understanding and implementation of the practices associated with Chandamaharoshana.
Mantras of Chandamaharoshana
The mantras associated with Chandamaharoshana are considered potent and effective in invoking the deity's presence and blessings. While I don't have access to specific mantras associated with Chandamaharoshana, these mantras typically contain sacred syllables and sounds believed to represent the enlightened qualities and essence of the deity. Chanting or reciting these mantras with devotion and understanding is believed to establish a deep connection with Chandamaharoshana and facilitate spiritual growth and transformation. Seek guidance from qualified teachers or practitioners to receive authentic mantras and instructions pertaining to Chandamaharoshana's practice.
Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.
These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.
Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.
How is Thangka made
First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Çura Canvas".
Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.
In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.
This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.
Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.
The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.
Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.
K. Lama regarded his already half-finished thangka proudly
The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.
Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.
In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.
