Sariputra, also known as Shariputra, was renowned for his exceptional wisdom and insight. He was considered one of the Buddha's chief disciples, known for his profound understanding of the Dharma (Buddhist teachings). Sariputra was known for his ability to analyze and expound upon complex concepts, making him a skilled teacher. He is often depicted as the embodiment of wisdom and was highly respected by both the Buddha and his fellow disciples.

Maudgalyayana, also known as Mahamaudgalyayana or Moggallana, was recognized for his extraordinary spiritual powers and supernatural abilities. He was known for his proficiency in various meditative practices, particularly those related to psychic powers and supernatural phenomena. Maudgalyayana was renowned for his strong loyalty and devotion to the Buddha, often assisting him in miraculous ways. He played a pivotal role in the spread of Buddhism, utilizing his spiritual powers to perform acts of compassion and bring about transformative experiences for others.

As disciples of the Buddha, both Sariputra and Maudgalyayana were deeply committed to the practice and dissemination of the Dharma. They were instrumental in helping the Buddha establish and guide the monastic Sangha (community of monks and nuns) and were revered for their spiritual achievements and contributions. Their teachings and personal examples continue to inspire Buddhist practitioners to this day.

It is important to note that Sariputra and Maudgalyayana were not the only disciples of the Buddha. The Buddha had a close circle of disciples known as the "Elders" or "Arhats," who were highly accomplished in their spiritual practice and dedicated to the realization of enlightenment. The community of disciples included renowned figures such as Ananda, Mahakasyapa, Anuruddha, and many others, each contributing their unique qualities and insights to the spread of Buddhism. Collectively, these disciples formed an integral part of the Buddha's teachings and the preservation of his profound wisdom.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Çura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video