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White Tara-29194
Date Added : 2023-05-01 03:07:39      (205)Views

White Tara Statue, Buddhist Handmade Statue, On Double Base, Face Painted, Gold Plated, Stone Setting

Code HME29194
Size
Height
25cm (10")
Width
18cm (7")
Depth
12cm (5")
Weight 2.28 kg - 5.03 lbs
Material Copper
Availability Available

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$46 Filling and Blessing
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$40 Filling Only
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$14 Blessing Only
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Statue Finishing
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$50 Partly Gold Plated
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$59 Partly Gold Plated with extra gold
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$95 HQ, Partly Gold Plated
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$50 Electro gold Plated
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$63 Electro Gold with painted Face
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$63 Electro Gold with Antique finish
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$72 Electro Gold Plated with Painted face an
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$117 Full Gold with face paint
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$108 Full Fire Gold Plated
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$162 HQ, Full Fire Gold with face paint
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$117 Full Fire Gold Anique Finishing
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$167 HQ, Full Fire Gold With Matt Finishing
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$176 HQ, Full Fire Gold with Antique Finihsin
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$194 HQ Full Gold with Gold Painted Skin
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$50 Colors only Basic
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$117 Color and Gold Good
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$162 Good Quality Color and gold Good Quality
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$117 Color Gold and Sivler
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$162 HQ, Color and Stond Setting
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$230 HQ Gold Empahised Color support
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$365 HQ, Cremamic wasable Color, with Gold
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$18 Chocolate Oxidized
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$18 Dark Chocolate oxidized
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$27 Chocolate oxidized with Silver plating
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$23 Double Color Oxidation
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$23 Chocolate Oxidized with Painted Face
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$23 Silver Plated Oxidized
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$27 Extra Silver Plated Oxidized with Painte
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$32 Silver Plated Double Color Oxidized wit
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$59 Silver Plated, Gold ornament, with Doub
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$59 Silver Skin and Gold ornaments Plated D
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$18 Antique With red Powder
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$32 Antique finishing with face paint
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$59 Green antique finishing
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$86 Painted Antique Finishing
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$72 Super Antique
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$9 Glossy Finished
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$18 Copper Plated
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$41 Stone Setting
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$45 Stone Setting & Antique Finishing
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Quantity PCS US$ 630.00
$ 700.00 -10% off
Shipping Cost
Selling on ETSY discount
[ Ends in : 35 days ]
Alternative Store [ETSY]
Handmadeexport
  • Shipping Calculation

    weight of 1 Pcs of the product is 2.5 kg and will cost USD $ 46.02

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  • Item location: kathmandu, Nepal
    Worldwide shipping

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  • We normally dispatch the product in 2-5 business days. Else Buyer will be infromed personally about the dispatch Date.

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  • Paypal | Credit - Debit Card | Bank Transfer | See More
  • Return
  • 7 days money back, buyer pays return shipping



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Selling on ETSY discount
This discount is offered to ensure our prices remain highly competitive across all platforms, including Etsy. We aim to provide the best value for our customers, so we adjust our pricing to stay in line with market trends. By doing so, we continue to uphold our commitment to being the leading provider of high-quality Nepali handicrafts at the best prices.


Discount is scheduled to end on 2024-12-26 Which is 35 Days from now

White Tara
White Tara is a revered figure in Buddhist mythology, often depicted as a compassionate and serene goddess. She embodies peace and emanates loving compassion, bringing grace and dignity to various situations. White Tara's presence encourages the emergence of goodness and positive outcomes in all circumstances. She upholds the Four Measureless States, which include Loving Kindness, Compassion, Sympathetic Joy, and Equanimity, encompassing past, present, and future circumstances. Additionally, White Tara is associated with the bestowing of longevity, symbolizing a long and healthy life. Her essence embodies the ideals of compassion and benevolence, making her a significant figure in Buddhist worship and spiritual practices. Read More
Iconography
Sita Tara, popularly known as White Tara. She has emanated from Avalokiteshvara & in the Nepali Transcendent Buddha tradition is the consort of Vairochana, the central Transcendent Buddha. Her inner virtue of loving compassion is magnified by the simplicity of her presentation. White Tara is an important Vajrayana Buddhist figure since she embodies the principle of loving kindness, which is the central quality in the altruistic Bodhisattva presented through Mahayana Buddhism. Her main emblem is the Pink Lotus [Skt. Kamala] representing this main quality.



Her left hand is gracefully lowered in an empty open palm boon granting gesture [Skt. Varada Mudra]. White Tara has a blooming pink lotus & an unopened bud on either side of her body. The lotus in the painting is stylised as a peony & a chrysanthemum to provide artistic contrast with her lotus throne. The open blossom represents the present and the bud represents the future situations & Buddhas yet to be born. The future also refers to beneficial changes circumstances that she will help bring about. Her right hand wisdom hand is in the gesture of giving refuge [Skt. Sharanagamana]. The word refuge refers to the teaching of compassionate understanding which she imparts. The third finger touches the thumb to create a circle representing the union of wisdom and compassion, and the three extended fingers symbolise the Three Jewels of Buddhism A. The Buddha State B. The Body of teachings [Skt. Sangha] C. The Principles of the Universal form [Skt. Dharma]. The same hand holds the stem of a blue lotus [Skt. Utpala] representing change. The lower part of the stem below the bend represents the root of the lotus in the mud. The allegory of the Lotus refers to the something that grows from the obscurity of the mud & which eventually bursts open in the light. The lotus journey is one of inner awakening & enlightenment analogous to the human spirit. Buddhism shows us how to grow towards the light with profound teachings which help us to navigate away from burdens and sufferings which we may have by being materially minded, bitter & confused.



There is a lotus on her diadem bearing the Wish Granting Gem [Skt. Chintamani] surrounded by an aureole of fire symbolising auspicious blessings. The extra eye on her forehead, on the palms of her hands & soles of her feet represent her ability to see and understand the sufferings of all beings & her omniscient compassion toward the suffering. Avalokiteshvara [Tib. Chengresi] her progenitor also has a white body & extra eyes. The eyes denote psychic & supernatural power. The rainbow coloured leggings represent a mastery of Boddhi Nature [Skt. Siddhi] & a manifestation of the Sambhogakaya. The dark blue layer of clothing signifies Mantrayana practice. She is upon a white moon disk & has an orange sun aureole to representing her emanation their melting point [Skt. Nada]. There is a branch of an Ashoka Tree in the foreground. The word Ashoka means 'without sorrow' in other words she has no regrets about her behaviour. The tree linked to the Vedic God of love & sexual union Kamadeva which blossoms when a virtuous lady touches it. The triangular diamond rock formation in the foreground represents the Source of Reality [Skt. Dharmadaya] out of which deities arise & which is generated from emptiness by the seed syllable E. In the Indian language is a Triangular shaped letter D & so expressed in the triangular rock formations.
Commentary
Tara's are difficult to place being neither Deity nor Dakini. Tara's are commonly described as female emanations and aides of Buddhas. Deities tend to have consorts with whom they are having sexual intercourse. She has a special association with the Pink lotus which represents the arising of wisdom from the obscure depths of the mud and the flowering of the awoken wisdom. The mud symbolised the primeval state. As with the other emanations of Tara, she has come into being from the teardrop of Avalokateshwara the great Bodhisattva of compassion.

Finishing: Stone Setting
The White Tara is adorned with an exquisite array of semi-precious stones, including turquoise, coral, and lapis lazuli. These stones are carefully selected and meticulously placed on the White Tara's surface, adding a touch of opulence and enhancing its overall beauty. Each stone is thoughtfully positioned using a high-quality adhesive, ensuring secure and long-lasting attachment. The vibrant colors and unique patterns of the stones create a captivating contrast against the backdrop of the White Tara, elevating its visual appeal and making it truly eye-catching. Read More
Gold Painted Face
The face of White Tara is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to honor the sacred essence of the White Tara. Read More
Full Fire Gold Plating
This White Tara is finished with full gold plating. also known as mercury gold plating or fire gold plating. This traditional technique involves the application of a genuine layer of gold onto the White Tara. Referred to as mercury gold plating, it is considered the correct and authentic form of gold plating in Nepal. Despite being more expensive than electroplating, this traditional mercury gold plating is gaining popularity again in Nepal. People are drawn to its authenticity, longevity, and the unmatched beauty it brings to the White Tara. The resurgence of interest in this traditional form of gold plating reflects a growing appreciation for the craftsmanship and cultural heritage of Nepal Read More
Lost-Wax System
This White Tara is made by the process of the Lost-Wax system. The lost-wax process, also known as investment casting, is a time-honored technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture. Read More
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