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Welcome to Handmade Handicraft
At Handmade Handicraft, we prioritize simplicity, reflected in our user-friendly website design. We have streamlined the process so everything you need is just a click away.
While our website does not support online shopping, we've incorporated a convenient shopping cart system to assist you in sending us your inquiries. Please note, we do not process payments on our site. All transactions will be handled via email, respecting the inquiries you submit.
Should you encounter any issues while submitting your inquiries, please contact us via mobile app, email, or follow the procedure outlined below. We've provided documentation to guide you through the selection process.
Good selecting Procedure
In every product you will find Order Now and Quick Inquiry buttons, they are the two process of sending us your enquiry.
For Business ordering standard quantity
This website has been designed to incorporate retail and wholesale pricing in one place. You can increase or decrease the quantity based on which you will be provided with suitable prices instantly.
For Business ordering Bluk quantity [Above 100 pcs]
This is not a direct shopping website. So no payments are needed for placing an order. Please feel free to send us an order for the product you are interested in, mentioning the approximate quantity. Based on which we will send you a wholesale price quotation.
Gong Clearence Sales
As a direct wholesaler of premium gongs, we’re excited to offer our extensive collection at exceptionally competitive prices. Our focus is on delivering the best value in the online market, ensuring you can enjoy these beautifully handcrafted items at remarkable prices. By regularly rotating our inventory, we bring you fresh new selections that reflect the latest in craftsmanship.
Discount is scheduled to end on 2024-12-31 Which is 39 Days from now
Wind gong
The wind gong, also known simply as a flat gong, is a mesmerizing and versatile percussion instrument that captivates audiences with its unique sound and rich history. Crafted from copper-based alloy, bronze, or brass, the wind gong features a flat, circular shape with a broad surface, allowing for complete and resonant sound production. Unlike traditional gongs with upturned rims, the wind gong lacks a pronounced cylindrical shape, resulting in unobstructed vibrations that create a deep and immersive sound with a wide range of tonal qualities. The wind gong is available in various sizes and offers flexibility for different musical applications, from intimate performances to grand symphonic arrangements.
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History:
The wind gong boasts a fascinating history with roots in ancient East and Southeast Asian cultures. Early examples of flat gongs can be traced back to ancient China, where they played a vital role in religious ceremonies, cultural rituals, and social gatherings. Over time, the wind gong's distinctive sound and visual appeal caught the attention of musicians and composers worldwide, leading to its integration into various musical traditions beyond its Asian origins.
Uses:
The wind gong's versatility has made it an essential element in a wide range of musical ensembles and genres. It has found its place in symphony orchestras, where renowned composers and conductors have utilized it to add depth, drama, and mystique to their compositions. Its ability to produce a broad spectrum of tones, from soft and ethereal to powerful and resonant, makes it suitable for creating atmospheric soundscapes, heightening climactic moments, and adding emotional depth to musical performances. In world music, the wind gong has been embraced for its cultural significance and unique timbre, enriching traditional and contemporary compositions alike.
How to Play:
Playing the wind gong requires a skilled percussionist who can unlock its expressive potential. The musician typically holds the gong vertically by a rope or cord attached to the top or a hole near the rim. Striking the wind gong with a soft mallet or beater produces a delicate and haunting sound, while using a harder mallet creates a more pronounced and resonant tone. By experimenting with various striking points and angles on the gong's surface, the player can elicit different harmonics and overtones, creating a dynamic and captivating performance. Additionally, dragging a mallet along the edge of the gong can produce sustained, otherworldly sounds that resonate with the audience. Mastering the art of playing the wind gong requires a keen sense of control, dynamics, and artistry, allowing the performer to unlock its full range of tonal colors and create a truly mesmerizing musical experience.
Request a sound check
We personally check Wind gong to ensure the quality of the sound and its resonance. However, if you still require to listen to the sound before purchase. To maintain the quality of service we have introduced a nominal fee of $2 for this service. This non-refundable deposit will be deducted from your invoice upon purchase. Please note due to the limitation of the microphone and the speaker quality, the effectiveness of experiencing the sound will not be the same.
If you have any further questions or require assistance, please do not hesitate to contact us. WhatsApp: +9779841614206
We understand that it's important to hear the sound of a product before making a purchase, and we want to make sure you feel confident in your decision. Our team is always available to help you with any questions or requests you may have, so please don't hesitate to reach out if you need any assistance.
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Included with this Gong
When you purchase this Gong, it will come with a Felt Hitting Mallet that you can use to play the Gong. This mallet is included with your purchase and you do not need to buy it separately. If you would like additional accessories to use with your Gong, such as different types of mallets or stands, you can purchase them separately from the options provided above. These additional accessories are not included with your purchase of the Gong and must be added to your cart if you would like to buy them.
We want to make sure you have everything you need to enjoy your Gong, so please feel free to browse our selection of accessories if you need any additional items to go along with your purchase."
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Shakyamuni Buddha : Brief Introduction
The ancient Sanskrit term 'Buddha' translates to 'awakened' or 'supreme awareness', closely linked with 'Bodhi' denoting enlightenment. Gautama Shakyamuni, born around 563 BCE in Lumbini (now Nepal), epitomizes compassionate understanding and enlightened consciousness. His teachings centered on understanding desire's role in perpetuating suffering, a theme resonating across Hinduism, Jainism, and related faiths. He emphasized how greed, selfishness, and possessiveness obscure higher awareness, perpetuating suffering among the sick, hungry, elderly, and impoverished. Gautama's serene image stands in contrast to Western ideals of materialism and outward pride, advocating for inner enlightenment as the path to alleviating worldly suffering.
Iconography The idea of freeing the self (ourselves) from material world & the realisation of the supreme self is a theme common to Indian Philosophy. This is why word associated with the liberation such as Moksha, Samsara ( cycles of suffering), Karma & Nirvana are common to Hinduism , Jainism & Sikhism. The difference between these three schools of thought is twofold, 1. How this freeing of the self is attained & 2. What the nature of this freedom 'is'. That is what state of being freed or partly freed actually feels like or how it can be described.
Gautama is painted with golden skin sitting in a lotus seat [Skt. Padmasana] also called the meditative seat [Skt. Dhyanasana] & upon a white moon disc which represents the male principle of method which itself is upon a lotus throne. His left hand touches the ground in what is called bhumisparse mudra which symbolises his own recognition of enlightened mind in one of the most iconic images in all Buddhism. The palm always faces inwards. His feet are deliberately drawn level with one another & enlarged, being specific marks of a Buddha. His right hand supports an alms bowl [Skt. Patra], containing the liquid elixir of eternal life. Somehow the simple image of the bowl reflects his overwhelming humility & kindness. He wears the traditionally maroon gold monk's patched robe [Skt. Samghati] made of twenty five pieces of cloth which the first Buddhist monks sewed together. The Buddha has a green nimbus and blue aureole around his body signifying the highest level of understanding. Siddhartha is surrounded by Pink Lotuses [Skt. Padma]. This kind of lotus is connected with loving kindness & a flowering of pure consciousness. The closed bud to his right side represents the past or originating mind, the blooming flower represents the present & the buds represents the future Buddha Maitreya and forthcoming realisations. His elongated earlobes depict his royal connection; his knotted black hair & topknot symbolise his abandonment of worldly possessions; the dot [Skt. Urna] on his brow on the command chakra [Skt. Ajna] represents his transcendent wisdom, the 31st mark of a Buddha.
Life Story Gautama was born c.563 BCE Lumbini, today in Nepal Died c.483 BCE Kushinagar in India. within the Sakya kingdom in Nepal. He family names were variously called Gautama [Skt. 'Best Cow'] & surname Shakyamuni [Skt. meaning 'Sage of the Shakyas'] The name Gautama is linked with a person called Maharshi [Eng. victorious on earth] Gautama who was an ancient seer. Maharshi Gouthama descendents adopted his surname. During his life he was as often called Gautama Tathagata, as Gautama Siddhi-hatha as Gautama Buddha. It was in recognition of his spiritual accomplishments he was called Siddhartha & relates to why Gautama is a Hindu avatar. The lineage of 23 Buddhas were for the majority drawn from Janapada Kings & high ranking Brahmins.
He studied Buddhist Ideas in several locations in Kashmir & Northern India which to may seem a contradiction in terms, this is because to many Gautama Buddha is what Buddhism is. There are in fact two basic schools of thought. 1. That Gautama is recognised for his enlightened reasoning who according to Theravada Buddhism was the 28th Buddha. 2. That he is the Supreme Buddha [Skt. Sammasambuddha] of our age & that he is the be all & end all of Buddhist Doctrine, & closely follow his progress or 'life story' & to how he in how became full awoken. In Hinduism he is considered to be the ninth avatar of God Vishnu.
At the age of 29 Siddhartha left his palace in order to meet his people. Despite his father's effort to remove the sick, aged & impoverished, Siddhartha encountered an old man. Disturbed by this, when told that all people would eventually grow old by his charioteer Channa, variously, a diseased man, a decaying corpse, and an ascetic. Deeply depressed by these sights, he sought to overcome old age, illness, and death by living the life of an ascetic. He left his palace leaving behind this royal life to become a mendicant. Siddhartha left Rajagaha and practised under two hermit teachers. After mastering the teachings of Alara Kalama Siddhartha was asked by Kalama to succeed him, but moved on.
He then became a student of Uddaka Ramaputta, but although he achieved high levels of meditative consciousness and was asked to succeed Ramaputta, he was still not satisfied with his path, and moved on. He initially became as ascetic but then After asceticism and concentrating on meditation and Anapana-sati (awareness of breathing in and out), Siddhartha is said to have discovered what Buddhists call the Middle Way- a path of moderation away from the extremes of self-indulgence and self-mortification.
Gautama thus journeyed to Deer Park near Varanasi (Benares) in northern India, he set in motion the Wheel of Dharma by delivering his first sermon to the group of five companions with whom he had previously sought enlightenment. They, together with the Buddha, formed the first sangha, the company of Buddhist monks. For the remaining 45 years of his life, the Buddha is said to have traveled in the Gangetic Plain, in what is now Uttar Pradesh, Bihar & southern Nepal, teaching to an extremely diverse range of people, from nobles to outcaste street sweepers, mass murderers such as Angulimala & cannibals such as Alavaka. The sangha travelled from place to place in India, expounding the dharma.
2nd Commentary Gautama's entire Teachings revolve around: The Principle of the Three marks of existence; 1. Dukkha (Sanskrit: du?kha): That all beings suffer from all situations due to unclear mind. 2. Anicca (Sanskrit: anitya): That all things are impermanent. 3. Anatta (Sanskrit: anatman): That the perception of a constant "self" is an illusion. Gautama considers the arising of this suffering, & explains that this is caused by a misunderstanding of phenomena (the world around us) which is impermanent [Anicca] which he then related to the illusion of the ego, which is actually nothing but an illusion. [Anatta]. He shows that by understanding the nature of the suffering, & specifically its arising, we can alleviate this or extinguish it altogether.