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Welcome to Handmade Handicraft
At Handmade Handicraft, we prioritize simplicity, reflected in our user-friendly website design. We have streamlined the process so everything you need is just a click away.
While our website does not support online shopping, we've incorporated a convenient shopping cart system to assist you in sending us your inquiries. Please note, we do not process payments on our site. All transactions will be handled via email, respecting the inquiries you submit.
Should you encounter any issues while submitting your inquiries, please contact us via mobile app, email, or follow the procedure outlined below. We've provided documentation to guide you through the selection process.
Good selecting Procedure
In every product you will find Order Now and Quick Inquiry buttons, they are the two process of sending us your enquiry.
For Business ordering standard quantity
This website has been designed to incorporate retail and wholesale pricing in one place. You can increase or decrease the quantity based on which you will be provided with suitable prices instantly.
For Business ordering Bluk quantity [Above 100 pcs]
This is not a direct shopping website. So no payments are needed for placing an order. Please feel free to send us an order for the product you are interested in, mentioning the approximate quantity. Based on which we will send you a wholesale price quotation.
Singing bowl Clearence Sales
As a direct wholesaler of premium singing bowls, we are thrilled to offer significant price cuts across our extensive collection. By streamlining our supply chain and optimizing our inventory, we’re able to pass on substantial savings directly to you. Our goal is to provide these beautifully handcrafted items at prices that are not just competitive, but truly unbeatable. This isn’t just a sale—it’s an opportunity to acquire high-quality singing bowls at a fraction of the usual cost.
Discount is scheduled to end on 2024-12-31 Which is 39 Days from now
Singing Bowl
Singing bowls , also known as Himalayan bowls , are used in yoga, music therapy, sound healing, and religious ceremonies. In the Buddhist tradition, they are played to signal the beginning and the end of silent meditation cycles. Tibetan bowls emit very pure tones, close to sine waves. Their sound is a synonym of purity for our ears. Like a bell, the tone is produced by striking the side of the bowl with a wooden mallet. By running the mallet around the bowl - only with slight pressure - a pure tone will eventually rise. When this happens, the bowl is said to sing - hence its name.
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How To Play Tibetan Singing Bowls 1. Hold the singing bowl on the palm of the left hand. For smaller bowls, seven inches and under, hold on your fingertips.
2. Grasp the mallet about mid-length, with all the fingertips pointing downwards and touching the wood. (If you are using one of our padded mallets, the red wool should be on top.) Palm downward.
3. Gently tap the mallet against the side of the bowl to "warm-up" the bell.
4. With an even pressure, rub the mallet clockwise around the outside edge of the rim of the bowl. Use a full arm movement, just like stirring a big kettle of soup, and keep the mallet straight up and down! Again, it's not a wrist movement, but a full-arm movement.
Remember to apply pressure-- the friction of the mallet against the
outer rim produces vibrations which result in sound.
Experiment with your speed. Usually people go too fast! Let the sound build up slowly as the singing bowl picks up the vibration
How To Play Tibetan Singing Bowls -Breaking in Your Mallet
The mallet that comes with your Tibetan singing bowl is handmade of Himalayan hardwood. When you play the bowl, using the mallet-around-the-rim technique, the friction of the mallet produces vibrations which result in sound. In the beginning the mallet is relatively smooth, but as you continue to use it it will develop "micro-grooves", shallow grooves which help to grab more of the playing edge of the bowl. Allow about five minutes for initial break-in of a new mallet. As you use the mallet more the micro-grooves become impressed in the mallet and you will get better sound and easier playig from your bowl.
How To Play Tibetan Singing Bowls -The Wah-Wah
1. Most all Tibetan singing bowls have natural wah-wahs which you can amplify and bend by using the wah-wah technique.
2. Get the bowl singing by using the mallet-around-the-rim technique described above. Pull the mallet away from the bowl and let the bowl continue to sing.
3. While still holding the bowl in your hand, raise the bowl up to your mouth so that the outside rim is just above the opening of your mouth and about an inch away.
Open and close your mouth while thinking of the sound wah-wah. You are not actually making any sound with your mouth, but simply changing the shape of the oral cavity so as to allow the sound of the singing bowl to bounce around inside of your mouth and then be reflected back. By changing the size of the oral cavity you are modulating the sound!
Experiment with the relative position of your mouth to the outside bowl rim. Also, if you turn the bowl, while experimenting with the wah-wah effect, you will find "hot spots" where the bowl is naturally louder.
How To Play Tibetan Singing Bowls -Water Bowl Sounds
A special sound effect can be produced by adding a small amount of water to the bottom of the singing bowl. The sounds produced using this technique sound like dolphins singing!
1. The amount of water to use varies with the individual bowl. Start by pouring about 3/4" of water into the bowl. Be careful NOT to get the outside rim of the bowl wet.
2. Now, play the bowl using the mallet-around- the-rim technique. Bring up the sound by using a steady even pressure. Pull the mallet away from the bowl rim and let the bowl continue to sing.
3. Still holding the bowl in your hand, tilt the bowl so that the water inside gently laps up toward the inside rim. Continue to gently swirl and tilt the bowl and the water.
Experiment with the amount of water used. Usually the best effect is produced with a minimum amount of water. Keep a towel handy in case of spills.
Isolating the Fundamental
This technique requires awareness, breath and concentration. If you have a fairly thin-walled Buddha bowl, you can isolate the fundamental (bass tone) by using a leather-covered mallet. Follow the instructions regarding your rimming technique for the female overtone, only use the leather end of your mallet for rimming and make sure your mallet is pointed straight up. Experiment with using a lighter pressure.
Request a sound check
We personally check Singing Bowl to ensure the quality of the sound and its resonance. However, if you still require to listen to the sound before purchase. To maintain the quality of service we have introduced a nominal fee of $2 for this service. This non-refundable deposit will be deducted from your invoice upon purchase. Please note due to the limitation of the microphone and the speaker quality, the effectiveness of experiencing the sound will not be the same.
If you have any further questions or require assistance, please do not hesitate to contact us. WhatsApp: +9779841614206
We understand that it's important to hear the sound of a product before making a purchase, and we want to make sure you feel confident in your decision. Our team is always available to help you with any questions or requests you may have, so please don't hesitate to reach out if you need any assistance.
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Singing bowl Accessories
The Jambati Singing Bowl you are purchasing includes a cushion, a wooden playing mallet, and a felt-hitting mallet for playing the bowl. If you require additional accessories, you can browse the options above and purchase them separately. Should you have any further questions or need assistance, please don't hesitate to let us know.
One Cushion Fitting the Size
One Mallet Fitting the Size
One DrumStick Fitting the Size
Request for Sound Check Normally we will send the best quality sound for our web client, but if you like to be sure about what you are purchasing you can request for the sound of the singing bowl. We will provide you with a youtube video of a few Singing bowl playing of similar sizes.
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Mandala : Brief Introduction On Mandala
Mandala Thangka painting is a revered form of sacred art in Buddhism, characterized by intricate and vibrant depictions on cotton or silk. These paintings often feature a central deity or Buddha figure surrounded by meticulously crafted symmetrical patterns, geometric designs, and symbolic elements. Mandala Thangkas serve as visual aids for meditation and spiritual growth, guiding practitioners towards inner peace, harmony, and enlightenment. Through their precise brushwork and rich symbolism, these artworks invite viewers to contemplate the profound spiritual journey within themselves, fostering mindfulness, concentration, and a deeper connection with the universal truths of Buddhism.
These mandalas, concentric diagrams, have spiritual and ritual significance in both Buddhism and Hinduism. The term is of Hindu origin and appears in the Rig Veda as the name of the sections of the work, but is also used in other Indian religions, particularly Buddhism. In the Tibetan branch of Vajrayana Buddhism, mandalas have been developed into sandpainting. They are also a key part of anuttarayoga tantra meditation practices.
Hinduism and buddhism Buddhism
Tibetan for mandala in Vajrayana Buddhism usually depicts a landscape of the "Buddha-land", or the enlightened vision of a Buddha, which inevitably represents the nature of experience and the intricacies of both the enlightened and confused mind, or "a microcosm representing various divine powers at work in the universe." Such mandalas consist of an outer circular mandala and an inner square (or sometimes circular) mandala with an ornately decorated mandala "palace" placed at the center. Any part of the inner mandala can be occupied by Buddhist glyphs and symbols, as well as by images of its associated deities, which "symbolise different stages in the process of the realisation of the truth."
Kvarne (1975: p. 164) in his extended discussion of sahaja, discusses the relationship of sadhana interiority and exteriority in relation to mandala thus:
"...external ritual and internal sadhana form an indistinguishable whole, and this unity finds its most pregnant expression in the form of the mandala, the sacred enclosure consisting of concentric squares and circles drawn on the ground and representing that adamant plane of being on which the aspirant to Buddha hood wishes to establish himself. The unfolding of the tantric ritual depends on the mandala; and where a material mandala is not employed, the adept proceeds to construct one mentally in the course of his meditation."
Mandalas are commonly used by tantric Buddhists as an aid to meditation. More specifically, a Buddhist mandala is envisaged as a "sacred space," a "Pure Buddha Realm," and also as an abode of fully realised beings or deities. While on the one hand, the mandala is regarded as a place separated and protected from the ever-changing and impure outer world of samsara, and is thus seen as a "Buddhafield" or a place of Nirvana and peace, the view of Vajrayana Buddhism sees the greatest protection from samsara being the power to see samsaric confusion as the "shadow" of purity (which then points towards it). By visualizing "pure lands," one learns to understand experience itself as pure, and as the abode of enlightenment. The protection that we need, in this view, is from our own minds, as much as from external sources of confusion. In many tantric mandalas, this aspect of separation and protection from the outer samsaric world is depicted by "the four outer circles: the purifying fire of wisdom, the vajra circle, the circle with the eight tombs, the lotus circle." The ring of vajras forms a connected fence-like arrangement running around the perimeter of the outer mandala circle.
The mandala is also "a support for the meditating person," something to be repeatedly contemplated to the point of saturation, such that the image of the mandala becomes fully internalised in even the minutest detail and can then be summoned and contemplated at will as a clear and vivid visualized image. With every mandala comes what Tucci calls "its associated liturgy...contained in texts known as tantras," instructing practitioners on how the mandala should be drawn, built and visualised, and indicating the mantras to be recited during its ritual use.
As a meditation on impermanence (a central teaching of Buddhism), after days or weeks of creating the intricate pattern of a sand mandala, the sand is brushed together and placed in a body of running water to spread the blessings of the mandala.
A mandala can also represent the entire universe, which is traditionally depicted with Mount Meru as the axis mundi in the center, surrounded by the continents. A "mandala offering" in Tibetan Buddhism is a symbolic offering of the entire universe. Every intricate detail of these mandalas is fixed in the tradition and has specific symbolic meanings, often on more than one level.
The mandala can be shown to represent in visual form the core essence of the Vajrayana teachings. In the mandala, the outer circle of fire usually symbolises wisdom. The ring of 8 charnel grounds represents the Buddhist exhortation to always be mindful of death, and the impermanence with which samsara is suffused: "such locations were utilized in order to confront and to realize the transient nature of life." Described elsewhere: "within a flaming rainbow nimbus and encircled by a black ring of dorjes, the major outer ring depicts the eight great charnel grounds, to emphasize the dangerous nature of human life." Inside these rings lie the walls of the mandala palace itself, specifically a place populated by deities and Buddhas.
One well-known type of mandala, in Japan is the mandala of the "Five Buddhas", archetypal Buddha forms embodying various aspects of enlightenment. Such Buddhas are depicted depending on the school of Buddhism, and even the specific purpose of the mandala. A common mandala of this type is that of the Five Wisdom Buddhas (a.k.a. Five Jinas), the Buddhas Vairocana, Aksobhya, Ratnasambhava, Amitabha and Amoghasiddhi. When paired with another mandala depicting the Five Wisdom Kings, this forms the Mandala of the Two Realms.
Hindisum
A yantra is a two- or three-dimensional geometric composition used in sadhanas, or meditative rituals. It is thought to be the abode of the deity. Each yantra is unique and calls the deity into the presence of the
practitioner through the elaborate symbolic geometric designs. According to one scholar, "Yantras function as revelatory symbols of cosmic truths and as instructional charts of the spiritual aspect of human experience"
Many situate yantras as central focus points for Hindu tantric practice.Yantras are not representations, but are lived, experiential, nondual realities. As Khanna describes:
Despite its cosmic meanings a yantra is a reality lived. Because of the relationship that exists in the Tantras between the outer world (the macrocosm) and man's inner world (the microcosm), every symbol in a yantra is ambivalently resonant in inner-outer synthesis, and is associated with the subtle body and aspects of human consciousness
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Making Process of Hand-Beaten Singing Bowl
Making a handmade bronze singing bowl is a time-honored tradition that involves several stages. The process starts with the creation of a metal alloy, which is typically made of copper and tin. The metal is then melted down and poured into a mold, where it is shaped into a bowl. Once the bowl has been formed, it is subjected to a series of hammering and shaping processes to refine its shape and thickness. This is where the expertise of the craftsman comes into play, as they use their skills to produce a bowl with a balanced tone and resonant sound.
The finished bowl is then polished to a high shine and may be adorned with intricate designs and symbols that are significant in Buddhist or Hindu tradition.
The use of handmade bronze singing bowls in healing, meditation, and chakra balancing is based on the idea that sound can have a profound impact on the body and mind. When played, the bowls produce a rich, harmonious sound that is said to stimulate the chakras and bring balance to the body's energy centers. The sounds produced by the singing bowl are believed to help calm the mind, reduce stress, and promote relaxation, making them a valuable tool in meditation and mindfulness practices.
In addition, the vibrations produced by the singing bowl are said to have therapeutic benefits, promoting physical and emotional healing by reducing tension, improving circulation, and promoting relaxation. Overall, the use of handmade bronze singing bowls can be an effective and enjoyable way to enhance spiritual and emotional well-being.
7 Metals and their Planetary Association 1. Gold (Sun)
2. Silver (Moon)
3. Copper (Venus)
4. Iron (Mars)
5. Tin (Jupiter)
6. Mercury/Quicksilver (Mercury)
7. Lead (Saturn)
all of which feature heavily in alchemical symbolism Making of Hand Hammered Singing bowls
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About this etching carving
This Singing Bowl has a very high quality of etching and carving, with the normal etching and carving you may have noticed that the lines are very are they are painted with a thicker brush hence the lines are thicker. But for this Singing Bowl, we have assigned a fine artist of thangka painting to do the drawing for us. hence the lines are dinner and well detailed.
