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Welcome to Handmade Handicraft
At Handmade Handicraft, we prioritize simplicity, reflected in our user-friendly website design. We have streamlined the process so everything you need is just a click away.
While our website does not support online shopping, we've incorporated a convenient shopping cart system to assist you in sending us your inquiries. Please note, we do not process payments on our site. All transactions will be handled via email, respecting the inquiries you submit.
Should you encounter any issues while submitting your inquiries, please contact us via mobile app, email, or follow the procedure outlined below. We've provided documentation to guide you through the selection process.
Good selecting Procedure
In every product you will find Order Now and Quick Inquiry buttons, they are the two process of sending us your enquiry.
For Business ordering standard quantity
This website has been designed to incorporate retail and wholesale pricing in one place. You can increase or decrease the quantity based on which you will be provided with suitable prices instantly.
For Business ordering Bluk quantity [Above 100 pcs]
This is not a direct shopping website. So no payments are needed for placing an order. Please feel free to send us an order for the product you are interested in, mentioning the approximate quantity. Based on which we will send you a wholesale price quotation.
Metal Wall Hangings
Tibetan Buddhist culture is rich in symbolism and art, and metal or wooden wall hangings are essential to this tradition. These wall hangings, also known as paubhas, are typically made in painting form, painted on a cotton canvas with natural color. they are also made in wood, brass, or clay, and feature intricate designs and vibrant colors. They depict various aspects of Buddhism, such as deities, Buddhist teachings, and spiritual stories. Many of these wall hangings are adorned with semi-precious stones, such as turquoise, coral, and lapis lazuli, which add to their beauty and symbolic significance.
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The art of creating these metal or wooden wall hangings is considered a sacred tradition in Tibetan Buddhist culture, and it is often passed down from generation to generation. The creation process can take many months or even years, as each detail is carefully crafted and the colors are meticulously applied. These wall hangings are considered to be sacred objects and are used for meditation, worship, and offerings.
One of the most common themes depicted in Tibetan wall hangings is the mandala, a geometric representation of the universe. Mandalas are often intricate, symmetrical designs that are meant to represent the balance and harmony of the universe. They can also depict important Buddhist teachings and spiritual stories, and they serve as a focus for meditation and spiritual contemplation. Other popular themes in Tibetan wall hangings include Buddhist deities such as the Buddha, bodhisattvas, and protectors, as well as important Buddhist symbols like the lotus flower, the wheel of life, and the eight auspicious symbols.
The use of color in Tibetan wall hangings is also significant, as each color is associated with a specific emotion, quality, or spiritual aspect. For example, gold is associated with wisdom and compassion, red symbolizes passion and power, and blue represents serenity and peace. The use of semi-precious stones in these wall hangings is also significant, as each stone is believed to have spiritual properties and can bring positive energy to the environment.
In conclusion, Tibetan metal or wooden wall hangings are a rich and important part of Tibetan Buddhist culture. They serve as sacred objects for meditation, worship, and offerings, and their intricate designs, vibrant colors, and semi-precious stone settings make them both beautiful and significant. These wall hangings are a testament to the beauty and significance of Tibetan Buddhist culture and continue to be valued and revered to this day.
Kalachakra Mandala : Introduction
The Tibetan word for mandala is "kilkhor" which means "centre of the circle with exteriors walls and surrounding environment." Mandalas may be created with precious jewels, flowers, dyed rice, coloured stones, or coloured sand. Sand, traditionally made from crushed precious stones, is considered the most efficacious materials because of the precious substances involved and the great skill required to create the mandalas' exquisite details. Since each grain of sand is charged with the blessings of the ritual process, the entire sand mandala embodies a vast store of spiritual energy.
Background According to Buddhist history, the purpose, meanings, and techniques involved in the spiritual art of sand mandala painting were taught by Shakyamuni, the historical Buddha in the sixth century B.C. in India. Over the centuries the Kalachakra teachings have been transmitted in an unbroken lineage from teacher to student. In the 11th century the Kalachakra went from India to Tibet and during the 18th century the VII Dalai Lama introduced it to the Namgyal Monastery. This continuous lineage extends to the XIV Dalai Lama of our own time.
Each mandala is a sacred mansion, the home of particular meditational deity, who represent and embodies enlightened qualities ranging from compassion to heightened consciousness and bliss. In the Tibetan Buddhist tradition, mandalas are created for rituals of initiation in which a highly qualified teacher grants permission to advanced disciples to engage in the tantric meditation practices. Both the deity, which resides at the centre of the mandala, and the mandala itself are recognised as pure expressions of the Buddha's fully enlightened mind. Symbolically the deity confers the initiations and the mandala is where the initiations takes place. Through the initiations ceremony the seed of enlightenment in each person's mind is nourished by the dynamic process of visualising and contemplating a mandala.
In essence the ceremony involves the transportation of disturbing emotions into beneficial intuition and wisdom. Normally such an initiation is given at the request of an individual or group of people. The altruistic motivation of the artist and sponsor is essential to the creation of mandala.
The Mandala Everything in this mandala is the symbolic representation of some aspect of the Kalachakra deity and the deity's universe. There are 722 deities in the mandala which symbolise various manifestations of aspects of consciousness and reality, all part of the ultimate wisdom of the Kalachakra deity. Understanding and interpreting all of the symbols included in the mandala would be like reading the Kalachakra texts, which contains a vast range of teachings from cosmology to epistemology to psychology.
The Kalachakra Tantra is interpreted at three levels referred to as external, internal and alternative. The external concerns the laws of time and space of this physical world and accordingly deals with astronomy, astrology and mathematics. The internal concerns the elements and structure of the human body, including its energy system. The alternative is the doctrine, path and fruit of the actual meditational deity and its circular mandala abode.
The Kalachakra deity resides in the centre of the mandala. His palace consists of our mandala, one within another: the mandala of body, the mandala of speech, that of mind, and the very centre, wisdom and great bliss.
The palace is divided into four quadrants each with walls, gates, and a centre. The colours are specific representations of the elements and mental types. Black, in the east, is associated with the element of winds. The south is red, its elements is fire. The west is yellow, associated with the element of earth, and the north is white, represent water.
The square palace of the 722 deities is seated upon the first concentric circles, the first of which of which represents the earth. The other circles, represent water, fire, wind, space, and consciousness extend beyond the wall of the palace. The outer circles, a representation of the cosmos, is a source of Tibetan astrology. The ten wrathful deities who reside in one of the outer, concentric circles of the mandala serve as its protectors.
The Kalachakra sand mandala is dedicated to peace and physical balance, both for individual and for the world, thanks to the deities carefully among minute human, animal and floral forms, abstract pictographs, and the Sanskrit syllables that comprises the mandala's design.
Although depicted here on a flat surface, the mandala is actually three-dimensional, being a five-storeyed "divine mansion", at the centre of which stands the Kalachakra deity the manifest state of Enlightenment.
A person who simply sees this mandala many feel peace on many levels. According to the Dalai Lama, the Kalachakra deities create a favourable atmosphere, reducing tension and violence in the world. "It is a way of planting a seed, and the seed will have karmic effect. One doesn't need to be present at the Kalachakra ceremony in order to receive its benefits," he explains.
