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Yamantaka-13360
Date Added : 2017-09-17 12:17:14      (860)Views

Yamantaka - Heruka Statue - Copper Silver Plated Oxidized

Code HME13360
Size
Height
25cm (10")
Width
18cm (7")
Depth
13cm (5")
Weight 2 kg - 4.41 lbs
Material Copper
Availability Available

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$46 Filling and Blessing
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$40 Filling Only
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$14 Blessing Only
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Statue Finishing
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$50 Partly Gold Plated
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$59 Partly Gold Plated with extra gold
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$95 HQ, Partly Gold Plated
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$50 Electro gold Plated
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$63 Electro Gold with painted Face
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$63 Electro Gold with Antique finish
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$72 Electro Gold Plated with Painted face an
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$117 Full Gold with face paint
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$108 Full Fire Gold Plated
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$162 HQ, Full Fire Gold with face paint
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$117 Full Fire Gold Anique Finishing
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$167 HQ, Full Fire Gold With Matt Finishing
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$176 HQ, Full Fire Gold with Antique Finihsin
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$194 HQ Full Gold with Gold Painted Skin
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$50 Colors only Basic
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$117 Color and Gold Good
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$162 Good Quality Color and gold Good Quality
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$117 Color Gold and Sivler
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$162 HQ, Color and Stond Setting
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$230 HQ Gold Empahised Color support
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$365 HQ, Cremamic wasable Color, with Gold
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$18 Chocolate Oxidized
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$18 Dark Chocolate oxidized
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$27 Chocolate oxidized with Silver plating
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$23 Double Color Oxidation
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$23 Chocolate Oxidized with Painted Face
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$23 Silver Plated Oxidized
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$27 Extra Silver Plated Oxidized with Painte
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$32 Silver Plated Double Color Oxidized wit
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$59 Silver Plated, Gold ornament, with Doub
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$59 Silver Skin and Gold ornaments Plated D
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$18 Antique With red Powder
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$32 Antique finishing with face paint
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$59 Green antique finishing
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$86 Painted Antique Finishing
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$72 Super Antique
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$9 Glossy Finished
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$18 Copper Plated
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$41 Stone Setting
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$45 Stone Setting & Antique Finishing
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Quantity PCS US$ 380.00
Shipping Cost
  • Shipping Calculation

    weight of 1 Pcs of the product is 2 kg and will cost USD $ 40.63

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  • Item location: kathmandu, Nepal
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  • We normally dispatch the product in 2-5 business days. Else Buyer will be infromed personally about the dispatch Date.

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  • Return
  • 7 days money back, buyer pays return shipping



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Yamantaka
Yama represents the end of one cycle & beginning of another. The deity Yama is wrathful to try to encourage you not to return to a previous cycle or habit. He is there to help you break the cyclical nature of existence [Skt. Samsara so that you can access the higher realm of human consciousness. He is fed up with the attachment of mankind to the Five negative afflictions [Skt. Kleashas] if pushed he has the authority to send you at your physical death to a place of ice & fire. Read More
Iconography
The five skulls on Yama's diadem represent the Five Negative Affliction Or poisonous Buddhsit_Art_Yamaobstacles [Skt. Kleshas] to spiritual development which are greed, hatred, delusion, jealousy & pride & the transmutation of the five afflictions into the five wisdoms. His special power to change the five troubles is indicated by the tongues of crimson flame that arise from the cranium of each skull. He is painted with a bull's head, and he straddles a blue boar which crushes a human form. In his left hand in the threatening hand position [Skt. Tarjani Mudra] Yama brandishes a skull club [Skt. Kapala Danda] also carried by Kali [Shiva] & Bhairav that symbolises "smashing the veil of ignorance" and the ultimate emptiness of all phenomena which we need to realise the highest Buddhist ideal of Great Bliss [Skt. Mahasukha], pure consciousness and love. The energy is so powerful that it is sealed with a half vajra at the top. The white silk ribbons represents his ability adapt his energy to destroy ignorance in all its forms. In his right hand he holds a rope noose [Skt. Pasha] . One end has a hook and the other a ring which representing the catching & binding of the ego, the possibility of strangulation.

His sister Yami holds a skullcap [Skt. Kapala] held at his heart in his right hand hold red rejuvenating blood of Great Bliss called Raktavarna[skt.] representing 'wisdom'. The white breast ornament represents the wheel of life [Skt. Jivan Chakra] Jivan is a Sanskrit word meaning soul. Chakra means wheel. The wheel of Life is often called the Bhavacakra. Bhava means container or receptacle in the sense of body or form. The degree of wrath & and tantric power a deity has is often measured by the quantity of flame in the aureole of flame surrounding body. Yama is surrounded by a Fire Wheel [Tib. Me-Khor] which represents his ability to annihilate anything or anyone that crosses his path, but especially the obscuration to pure conscious enlightenment of which ignorance is considered the chief poison. The fire wheel radiate as pure psychic energy whose potency is alluded to in Yama's erect penis. Nothing can withstand Yama's fire wheel. In the foreground there are the Three Skull Offerings which represent the items necessary for rebirth. The left & right skulls are traditionally mounted on three smaller skulls. The left blue blood represents semen & the right red blood fertile uterine blood with the central skull contains the offering of the five senses representing the consciousness. The five senses are 1. the heart representing touch, 2. the eyes - sight, 3. tongue - taste, 4. nose - smell & 5. ears - sound. The attached hair indicates its freshness. The offering of the five senses is key to Yama's purpose; the offering is about rebirth the beginning of something new life.

Commentary
Yama is an ancient Vedic deity. His name comes from the root Ya meaning 'twin' in the sense of to restrain or bound. In Tibet Yama is usually Dam Can Chos rGyal, 'The Pledge Bound Dharma-King'. The later alludes to his conversion to Buddhism by Manjusri, the Bodhisattva of Wisdom in his wrathful manifestation as Yamantaka 'the Destroyer of Yama". There are three common forms of Yama that occur in Tibetan Buddhism which are called respectively the External, Internal, and Secrete Yama. This painting depicts the External or Outer form of Yama who is a Dharma protector invoked to protect devotees from mundane difficulties such as physical illness and hunger. He is the colour blue and is shown in the characteristic fierce standing pose of a protective deity with a pot belly and erect penis. He has the head of a fierce bull with sharply pointed horns and protruding blood shot eyeballs. The bull is an ancient symbol in Indic religions that is associated with Yama and death, but also can symbolize procreation. This ambivalent symbolism is understood in the Buddhist context as the overcoming of death to create eternal life. Yama is personified as a bull as a metaphor of the uncontrolled mind that one must learn to control to overcome death. In his role as lord of hell, Yama should not be confused with Western religious notions of the Devil as the embodiment of evil but as a deity given a task within the greater Buddhist cause of the salvation of all living beings. In Buddhist symbolic terms the overcoming of death by terminating the cycle of rebirth is the ultimate goal and it is Yama who serves as a transformer in that process by embodying impermanence.
Silver and Chocolate Oxidized
The Yamantaka features a captivating combination of partly silver plating and dark oxidation. This unique finishing technique combines the lustrous shine of silver with the rich, deep tones achieved through oxidation. In the process of creating this finish, selected areas of the Yamantaka are expertly silver-plated, creating a radiant and reflective surface that catches the light. The remaining areas are intentionally oxidized, resulting in a darkened patina that adds depth and character to the piece. Read More
Lost-Wax System
This Yamantaka is made by the process of the Lost-Wax system. The lost-wax process, also known as investment casting, is a time-honored technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture. Read More
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