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Vasudhara-12762
Date Added : 2017-04-13 09:57:28      (1243)Views

Statue of Namgyalma, Ushnisha Vijaya - full Gold Plated, Fine Quality

Code HME12762
Size
Height
9cm (4")
Width
6cm (2")
Depth
5cm (2")
Weight 300 gm - 0.66 lbs
Material Copper
Availability Available

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$18 Filling and Blessing
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$12 Filling Only
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$14 Blessing Only
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Statue Finishing
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$10 Partly Gold Plated
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$11 Partly Gold Plated with extra gold
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$15 HQ, Partly Gold Plated
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$10 Electro gold Plated
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$12 Electro Gold with painted Face
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$12 Electro Gold with Antique finish
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$13 Electro Gold Plated with Painted face an
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$18 Full Gold with face paint
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$17 Full Fire Gold Plated
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$23 HQ, Full Fire Gold with face paint
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$18 Full Fire Gold Anique Finishing
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$24 HQ, Full Fire Gold With Matt Finishing
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$25 HQ, Full Fire Gold with Antique Finihsin
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$27 HQ Full Gold with Gold Painted Skin
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$10 Colors only Basic
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$18 Color and Gold Good
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$23 Good Quality Color and gold Good Quality
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$18 Color Gold and Sivler
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$23 HQ, Color and Stond Setting
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$32 HQ Gold Empahised Color support
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$48 HQ, Cremamic wasable Color, with Gold
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$6 Chocolate Oxidized
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$6 Dark Chocolate oxidized
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$7 Chocolate oxidized with Silver plating
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$7 Double Color Oxidation
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$7 Chocolate Oxidized with Painted Face
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$7 Silver Plated Oxidized
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$8 Silver Plated Double Color Oxidized wit
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$11 Silver Plated, Gold ornament, with Doub
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$11 Silver Skin and Gold ornaments Plated D
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$6 Antique With red Powder
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$8 Antique finishing with face paint
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$11 Green antique finishing
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$14 Painted Antique Finishing
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$5 Glossy Finished
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$6 Copper Plated
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$9 Stone Setting
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$9 Stone Setting & Antique Finishing
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Quantity PCS US$ 60.00
Shipping Cost
  • Shipping Calculation

    weight of 1 Pcs of the product is 0.5 kg and will cost USD $ 26.94

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  • Item location: kathmandu, Nepal
    Worldwide shipping

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  • We normally dispatch the product in 2-5 business days. Else Buyer will be infromed personally about the dispatch Date.

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  • Paypal | Credit - Debit Card | Bank Transfer | See More
  • Return
  • 7 days money back, buyer pays return shipping



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Vasudhara
Vasudhara, whose name means "stream of gems" in Sanskrit, is the Buddhist bodhisattva of wealth, prosperity, and abundance. She is popular in many Buddhist countries and is a subject in Buddhist legends and art. Originally an Indian bodhisattva, her popularity has spread to southern Buddhist countries. Her popularity, however, peaks in Nepal where she has a strong following among the Buddhist Newars of the Kathmandu Valley and is thus a central figure in Newar Buddhism.She is named Shiskar Apa in Lahul and Spiti. She is related to Hindu great goddess Lakshmi, and her Sanskrit name Vasundhara indicates she is the source of the eight "bountiful Vasus." Therefore, according to the epic Mahabharat, she is the bounty that is the waters of the river Ganges-the goddess, Ganga whose origin is the snows of the Himalayas. Read More
Icongraphy
In Buddhist art, Vasudhara has a consistent iconography. She can easily be identified as a bodhisattva by the elaborate headdress and the extensive amount of jewelry she wears. Her skin has a golden hue in bronze and painted images. This color is associated with precious metals and symbolizes opulence, fertility, and generosity in Buddhist iconography. Vasudhara is typically seated on a lotus flower base in the lalitasana, or royal pose, with one foot tucked in towards her and the other hanging of the flower base but resting on a small treasure. She can, however, also be represented in a standing position. When standing, Vasudhara has a full vase representing abundance underneath each foot.

Despite this consistency in her representations, the number of her arms may differ from image to image. In visual representations, Vasudhara can have as few as two arms and as many as six. The two-armed representations are more common in Tibetan art and Indian art, while six-armed representations are almost exclusive to Nepalese art. Although the six-armed image originates in India, they are rare and only few examples have been found.

Vasudhara or Vasundhara, the 'treasure holder', is a popular Newar goddess of fertility and prosperity, and a consort of the wealth-god Jambhala. She sits in the posture of 'royal ease' on a moon disc and a pink lotus, with her left leg drawn up and her extended right foot resting (similar posture to Green Tara - showing her willingness to "come down from her lotus throne" to help those who call upon her) upon a white conch shell (symbolising having conquered/having perfect control of speech) and a golden treasure-vase (wealth/prosperity). She is beautiful and attractive, as youthful as a sixteen-year-old, and her golden body scintillates with radiant light. Her three beautiful and smiling faces are coloured red (right - red being the colour of controlling), golden (centre, golden being the colour of increasing), and red (left), representing perfect compassion, wisdom understanding, awareness and insight into the past, present and future, she is adorned with the five divine silks and the eight jewelled ornaments. Her first right hand makes the gesture of generosity, while her other two right hands hold the 'Three Jewels' of the Buddha, Dharma and Sangha, - symbolising the necessity of maintaining the commitments of refuge to the three jewels, and a golden rosary, symbolising continuous practise and self-examination, vital to enlightenment. With her three left hands she holds a small treasure-vase, for long life and initiation, an ear of grain, for abundant harvests and earthly benefits, and a sacred text to grant wisdom. In her hands, Vasudhara holds a variety of objects attributed to her. Most representations show her holding a sheaf of corn in her left hand, symbolizing an abundant harvest. She may also be holding a gem or small treasure, a symbol of wealth. Representations with more arms, such as the six-armed Nepali representation, also depict her holding a full vase and the Book of Wisdom. With her free hands, Vasudhara performs mudras. A commonly seen mudra in paintings and figurines featuring Vasudhara is the varada mudra, also known as the charity mudra, which symbolizes the "pouring forth of divine blessings." In her 2 armed one faced form, she has a golden body, representing the earth element, Ratnasambhava in her crown, sometimes 2 eyes or 3 eyes, if with 3 eyes - representing perfect awareness, understanding, compassion, wisdom and insight into the past, present and future. Her 2 hands holding a sheaf or corn for agricultural prosperity and to "sew the seeds" of enlightenment, and either a single wish fulfilling jewel or a bowl of wish fulfilling jewels for wealth and wish fulfilment. Vasudhara is the subject of numerous bronzes and paintings. She is predominantly the central figure of bronze sculptures or painted mandalas. She may also, however, appear alongside her consort, Vaiśravaṇa (Jambhala) the Buddhist God of Riches. Despite his status, she surpasses him in popularity and is more commonly the central figure of her own mandalas
About Elector Gold Plating
The Vasudhara has been crafted using the ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More
Ceramic Molding System
The Vasudhara has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More
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